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Hank's photography graced the facade of the AMFAR pavillion, Cap D'Atibes France, May 20, 2010

C-Span July 2010 —The American Association of University Professors, features The Ghosts Of Harlem American Edition as one of it's choices for The "Best of The Best" University Editions. "The Best of The Bests" Program program, offers librarians the opportunity to share advice and recommendations with their colleagues, and recognizes the valuable contribution that university press books can make to both public and secondary school libraries. (note:The Ghosts of Harlem feature begins at 11:40 and ends at 14:40) :Please Have a look at the video here: http://www.c-spanvideo.org/program/294474-1

Jazz Times Interview June 2010 — Hank O’Neal: Chasing Ghosts

ArtNews Article, March 2010, Friendships In Focus - Berenice Abbott, PDF

Hank O'Neal's Lower East Side Project Featured On Swiss T.V.

Seventh Man Magazine - "Richard Hambleton — New York" in Milan

Featured Artist on Valmorbida.com

Artists We Love, Featured Photographs of Richard Hambleton Street Art

Swide, Hank O'Neal's Portraits of Richard Hambleton, showing in Milan

oneartworld.com - Featuring Hank O'Neal's Richard Hambleton Related Prints for Sale

Abitare - Richard Hambleton in Milan featuring a portrait by Hank O'Neal

 

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Published Works


Discounting liner notes for various jazz records, my first published work for public consumption appeared in 1972 and was entitled The Eddie Condon Scrapbook of Jazz. My most recent book was published in 2009, the English-language edition of The Ghosts of Harlem, which had originally appeared in French in 1996. During the 37 years in between there have been many book, booklets, pamphlets, magazine articles, portfolios, LP liner notes, CD booklets and other types of publications that require words and photographs.

Most of these publications have had some relationship to either photography or music and in some instances both. I have never found it difficult to get published on a modest level, in magazines or with projects associated with music, but books have often been a struggle. I do not write anything that is geared towards popular consumption and large photography-based books are often costly. Both these factors often discourage publishers. Nonetheless, the books and other publications continu e to make their way into print, they retain their value and usually appreciate and in some instances are republished. In the years to come I hope my list of published works grows substantially as there are a number of competed projects that should see the light of day.